Entravision Communications (EVC) – Demonstrating Good Operating Momentum

Thursday, August 04, 2022

Entravision Communications (EVC)
Demonstrating Good Operating Momentum

Entravision Communications Corporation is a diversified Spanish-language media company utilizing a combination of television and radio operations to reach Hispanic consumers across the United States, as well as the border markets of Mexico. Entravision owns and/or operates 53 primary television stations and is the largest affiliate group of both the top-ranked Univision television network and Univision’s TeleFutura network, with television stations in 20 of the nation’s top 50 Hispanic markets. The Company also operates one of the nation’s largest groups of primarily Spanish-language radio stations, consisting of 48 owned and operated radio stations.

Michael Kupinski, Director of Research, Noble Capital Markets, Inc.

Patrick McCann, Research Associate, Noble Capital Markets, Inc.

Refer to the full report for the price target, fundamental analysis, and rating.

A solid Q2. The company met our upwardly revised Q2 expectations with strong 24% revenue growth and 26% adj. EBITDA growth. The adj. EBITDA growth was notable given that it was achieved in spite of the absence of $5.4 million in revenue from three TV station affiliations that it no longer has. 

Digital continues its impressive growth. Digital revenues increased a strong 35% in Q2. While the company is comping against its previous acquisitions, it is expecting to reflect favorable double digit revenue growth. Management indicated that Digital is pacing up 24% in Q3, well above industry averages near 8%. …

This Company Sponsored Research is provided by Noble Capital Markets, Inc., a FINRA and S.E.C. registered broker-dealer (B/D).

*Analyst certification and important disclosures included in the full report. NOTE: investment decisions should not be based upon the content of this research summary. Proper due diligence is required before making any investment decision. 

Cumulus Media (CMLS) – Ability To Weather Uncertain Times

Thursday, August 04, 2022

Cumulus Media (CMLS)
Ability To Weather Uncertain Times

Cumulus Media (NASDAQ: CMLS) is an audio-first media company delivering premium content to over a quarter billion people every month — wherever and whenever they want it. Cumulus Media engages listeners with high-quality local programming through 406 owned-and-operated radio stations across 86 markets; delivers nationally-syndicated sports, news, talk, and entertainment programming from iconic brands including the NFL, the NCAA, the Masters, CNN, the AP, the Academy of Country Music Awards, and many other world-class partners across more than 9,500 affiliated stations through Westwood One, the largest audio network in America; and inspires listeners through the Cumulus Podcast Network, its rapidly growing network of original podcasts that are smart, entertaining and thought-provoking. Cumulus Media provides advertisers with personal connections, local impact and national reach through broadcast and on-demand digital, mobile, social, and voice-activated platforms, as well as integrated digital marketing services, powerful influencers, full-service audio solutions, industry-leading research and insights, and live event experiences. Cumulus Media is the only audio media company to provide marketers with local and national advertising performance guarantees. For more information visit www.cumulusmedia.com.

Michael Kupinski, Director of Research, Noble Capital Markets, Inc.

Patrick McCann, Research Associate, Noble Capital Markets, Inc.

Refer to the full report for the price target, fundamental analysis, and rating.

Solid Q2 results. The company reported Q2 revenue of $236.7 million, just above our expectation of $235 million. Adj. EBITDA of $45.5 million beat our forecast of $42.8 million by 6% reflecting lower than expected corporate expenses.

Digital impact. While National advertising was weak (Network revenue down 12%), local spot advertising grew 8%, resulting in Broadcast revenue being flat year-over-year. Digital revenue, on the other hand, grew 20%, which drove the 5.4% total company revenue growth in the quarter.

This Research is provided by Noble Capital Markets, Inc., a FINRA and S.E.C. registered broker-dealer (B/D).

*Analyst certification and important disclosures included in the full report. NOTE: investment decisions should not be based upon the content of this research summary. Proper due diligence is required before making any investment decision. 

Release – Salem Media Group, Inc. Announces Second Quarter 2022 Total Revenue of $68.7 Million



Salem Media Group, Inc. Announces Second Quarter 2022 Total Revenue of $68.7 Million

Research, News, and Market Data on Salem Media

August 04, 2022 4:05pm EDT

Earnings
Webcast

IRVING, Texas–(BUSINESS WIRE)– Salem Media Group, Inc. (Nasdaq: SALM) released its results for the three and six months ended June 30, 2022.

Second Quarter
2022 Results

For the quarter ended June 30, 2022 compared to the quarter ended June 30, 2021:

Consolidated

  • Total revenue increased 7.7% to $68.7 million from $63.8 million;
  • Total operating expenses increased 5.5% to $61.4 million from $58.1 million;
  • Operating expenses, excluding gains or losses on the disposition of assets, stock-based compensation expense, debt modification costs, impairments, depreciation expense and amortization expense (1) increased 10.7% to $60.9 million from $55.0 million;
  • The company’s operating income increased 29.9% to $7.3 million from $5.6 million;
  • The company recognized $3.9 million in film distribution income from an unconsolidated equity investment;
  • The company’s net income increased 303.9% to $9.1 million, or $0.33 net income per diluted share from $2.3 million, or $0.08 net income per diluted share;
  • EBITDA (1) increased 60.9% to $14.5 million from $9.0 million; and
  • Adjusted EBITDA (1) increased 33.6% to $11.7 million from $8.7 million.

Broadcast

  • Net broadcast revenue increased 12.1% to $52.5 million from $46.8 million;
  • Station Operating Income (“SOI”) (1) decreased 6.2% to $10.0 million from $10.6 million;
  • Same Station (1) net broadcast revenue increased 12.2% to $52.4 million from $46.7 million; and
  • Same Station SOI (1) decreased 5.9% to $10.0 million from $10.6 million.

Digital Media

  • Digital media revenue increased 4.5% to $10.8 million from $10.3 million; and
  • Digital Media Operating Income (1) increased 26.5% to $2.5 million from $2.0 million.

Publishing

  • Publishing revenue decreased 18.5% to $5.4 million from $6.7 million; and
  • Publishing Operating Loss (1) was $6,000 as compared to publishing operating income of $0.2 million.

Included in the results for the quarter ended June 30, 2022 are:

  • A $6.9 million ($5.1 million, net of tax, or $0.19 per diluted share) net gain on the disposition of assets reflects a $6.5 million pre-tax gain on the sale of land used in the company’s Denver, Colorado broadcast operations and a $0.5 million pre-tax gain on the sale of the company’s radio stations in Louisville, Kentucky that was offset with losses from various fixed asset disposals;
  • A $3.9 million ($2.9 million, net of tax, or $0.11 per share) impairment charge to the value of broadcast licenses in Columbus, Dallas, Greenville, Honolulu, Orlando, Portland, and Sacramento;
  • A $0.1 million ($0.1 million, net of tax) goodwill impairment charge; and
  • A $0.1 million non-cash compensation charge ($0.1 million, net of tax) related to the expensing of stock options.

Included in the results for the quarter ended June 30, 2021 are:

  • A $0.3 million ($0.2 million, net of tax, or $0.01 per diluted share) net gain on the disposition of assets relates to $0.5 million pre-tax gain on the sale of Singing News Magazine and Singing News Radio offset by an additional $0.1 million pre-tax loss recorded at closing on the sale of radio station WKAT-AM and FM translator in Miami, Florida; and
  • A $0.1 million non-cash compensation charge ($0.1 million, net of tax) related to the expensing of stock options.

Per share numbers are calculated based on 27,570,881 diluted weighted average shares for the quarter ended June 30, 2022, and 27,232,423 diluted weighted average shares for the quarter ended June 30, 2021.

Year to Date 2022
Results

For the six months ended June 30, 2022 compared to the six months ended June 30, 2021:

Consolidated

  • Total revenue increased 6.6% to $131.3 million from $123.1 million;
  • Total operating expenses increased 5.2% to $119.0 million from $113.1 million;
  • Operating expenses, excluding gains or losses on the disposition of assets, stock-based compensation expense, debt modification costs, changes in the estimated fair value of contingent earn-out considerationimpairments, depreciation expense and amortization expense (1) increased 9.6% to $116.7 million from $106.5 million;
  • The company’s operating income increased 23.1% to $12.3 million from $10.0 million;
  • The company recognized $3.9 million in film distribution income from an unconsolidated equity investment;
  • The company’s net income increased 320.8% to $10.9 million, or $0.39 net income per diluted share from $2.6 million, or $0.10 net income per diluted share;
  • EBITDA (1) increased 37.0% to $22.7 million from $16.5 million; and
  • Adjusted EBITDA (1) increased 11.2% to $18.5 million from $16.7 million.

Broadcast

  • Net broadcast revenue increased 11.1% to $100.9 million from $90.8 million;
  • SOI (1) decreased 4.9% to $20.3 million from $21.3 million;
  • Same station (1) net broadcast revenue increased 10.8% to $100.5 million from $90.7 million; and
  • Same station SOI (1) decreased 5.4% to $20.3 million from $21.5 million.

Digital media

  • Digital media revenue increased 5.7% to $21.1 million from $20.0 million; and
  • Digital media operating income (1) increased 47.9% to $4.4 million from $2.9 million.

Publishing

  • Publishing revenue decreased 24.6% to $9.3 million from $12.3 million; and
  • Publishing Operating Loss (1) was $0.6 million compared to publishing operating income of $0.7 million.

Included in the results for the six months ended June 30, 2022 are:

  • A $8.6 million ($6.4 million, net of tax, or $0.23 per diluted share) net gain on the disposition of assets relates primarily to the $6.5 million pre-tax gain on the sale of land used in the company’s Denver, Colorado broadcast operations, the $1.8 million pre-tax gain on sale of land used in the company’s Phoenix, Arizona broadcast operations, and $0.5 million pre-tax gain on the sale of the company’s radio stations in Louisville, Kentucky offset by various fixed asset disposals;
  • A $3.9 million ($2.9 million, net of tax, or $0.11 per share) impairment charge to the value of broadcast licenses in Columbus, Dallas, Greenville, Honolulu, Orlando, Portland, and Sacramento;
  • A $0.1 million ($0.1 million, net of tax) goodwill impairment charge;
  • A $0.2 million ($0.2 million, net of tax, or $0.01 per share) charge for debt modification costs; and
  • A $0.2 million non-cash compensation charge ($0.1 million, net of tax) related to the expensing of stock options.

Included in the results for the six months ended June 30, 2021 are:

  • A $0.1 million net gain on the disposition of assets relating to a $0.5 million pre-tax gain on the sale of Singing News Magazine and Singing News Radio offset by $0.4 million additional loss recorded at closing on the sale of radio station WKAT-AM and FM translator in Miami, Florida and various fixed asset disposals; and
  • A $0.2 million non-cash compensation charge ($0.1 million, net of tax) related to the expensing of stock options.

Per share numbers are calculated based on 27,590,644 diluted weighted average shares for the six months ended June 30, 2022, and 27,185,598 diluted weighted average shares for the six months ended June 30, 2021.

Balance Sheet

As of June 30, 2022, the company had $114.7 million outstanding on the 7.125% senior secured notes due 2028 (“2028 Notes”), $44.7 million outstanding on 6.75% senior secured notes due 2024 (“2024 Notes”), and $10,000 outstanding balance on the ABL Facility.

Acquisitions and
Divestitures

The following transactions were completed since April 1, 2022:

  • On June 27, 2022, the company sold 9.3 acres of land in the Denver area for $8.2 million. The land was being used as the transmitter site for radio stations KRKS-AM and KBJD-AM and was an integral part of its broadcast operations for these stations. The company will continue broadcasting both KRKS-AM and KBJD-AM from this site.
  • On May 25, 2022, the company sold radio stations WFIA-AM, WFIA-FM and WGTK-AM in Louisville, Kentucky for $4.0 million.
  • On May 2, 2022, the company acquired websites and related assets of Retirement Media for $0.2 million in cash.

Pending
transactions

  • On June 2, 2021, the company entered into an Asset Purchase Agreement to acquire radio station KKOL-AM in Seattle, Washington for $0.5 million. The company paid $0.1 million of cash into an escrow account and began operating the station under a Local Marketing Agreement on June 7, 2021.

Conference Call
Information

Salem will host a teleconference to discuss its results on August 4, 2022 at 4:00 p.m. Central Time. To access the teleconference, please dial (888) 770-7291, and then ask to be joined into the Salem Media Group Second Quarter 2022 call or listen via the investor relations portion of the company’s website, located at investor.salemmedia.com. A replay of the teleconference will be available through August 18, 2022 and can be heard by dialing (800) 770-2030, passcode 2413416 or on the investor relations portion of the company’s website, located at investor.salemmedia.com.

Follow us on Twitter @SalemMediaGrp.

Third Quarter
2022 Outlook

For the third quarter of 2022, the company is projecting total revenue to increase between 6% and 8% from third quarter 2021 total revenue of $66.0 million. The company is also projecting operating expenses before gains or losses on the sale or disposal of assets, stock-based compensation expense, changes in the estimated fair value of contingent earn-out consideration, impairments, depreciation expense and amortization expense to increase between 11% and 14% compared to the third quarter of 2021 non-GAAP operating expenses of $55.2 million.

A
reconciliation of non-GAAP operating expenses, excluding gains or losses
on the disposition of assets, stock-based compensation expense, changes in the
estimated fair value of contingent earn-out consideration, impairments,
depreciation expense and amortization expense to the most directly
comparable GAAP measure is not available without unreasonable efforts on a
forward-looking basis due to the potential high variability, complexity and low
visibility with respect to the charges excluded from this non-GAAP financial
measure, in particular, the change in the estimated fair value of earn-out
consideration, impairments and gains or losses from the disposition of fixed
assets. The company expects the variability of the above charges may have a
significant, and potentially unpredictable, impact on its future GAAP financial
results.

About Salem Media
Group, Inc.

Salem Media Group is America’s leading multimedia company specializing in Christian and conservative content, with media properties comprising radio, digital media and book and newsletter publishing. Each day Salem serves a loyal and dedicated audience of listeners and readers numbering in the millions nationally. With its unique programming focus, Salem provides compelling content, fresh commentary and relevant information from some of the most respected figures across the Christian and conservative media landscape. Learn more about Salem Media Group, Inc. at www.salemmedia.comFacebook and Twitter.

Forward-Looking
Statements

Statements used in this press release that relate to future plans, events, financial results, prospects or performance are forward-looking statements as defined under the Private Securities Litigation Reform Act of 1995. Actual results may differ materially from those anticipated as a result of certain risks and uncertainties, including but not limited to the ability of Salem to close and integrate announced transactions, market acceptance of Salem’s radio station formats, competition from new technologies, adverse economic conditions, and other risks and uncertainties detailed from time to time in Salem’s reports on Forms 10-K, 10-Q, 8-K and other filings filed with or furnished to the Securities and Exchange Commission. Readers are cautioned not to place undue reliance on these forward-looking statements, which speak only as of the date hereof. Salem undertakes no obligation to update or revise any forward-looking statements to reflect new information, changed circumstances or unanticipated events.

(1) Regulation G

Management
uses certain non-GAAP financial measures defined below in communications
with investors, analysts, rating agencies, banks and others to assist such
parties in understanding the impact of various items on its financial
statements. The company uses these non-GAAP financial measures to evaluate
financial results, develop budgets, manage expenditures and as a measure of
performance under compensation programs.

The
company’s presentation of these non-GAAP financial measures should not be considered
as a substitute for or superior to the most directly comparable financial
measures as reported in accordance with GAAP.

Regulation
G defines and prescribes the conditions under which certain non-GAAP financial
information may be presented in this earnings release. The company closely
monitors EBITDA, Adjusted EBITDA, Station Operating Income (“SOI”), Same
Station net broadcast revenue, Same Station broadcast operating expenses, Same
Station Operating Income, Digital Media Operating Income, Publishing Operating
Income (Loss), and operating expenses excluding gains or losses on the
disposition of assets, stock-based compensation, changes in the estimated fair
value of contingent earn-out consideration, impairments, depreciation and
amortization, all of which are non-GAAP financial measures. The company
believes that these non-GAAP financial measures provide useful information
about its core operating results, and thus, are appropriate to enhance the
overall understanding of its financial performance. These non-GAAP financial
measures are intended to provide management and investors a more complete
understanding of its underlying operational results, trends and performance.

The
company defines Station Operating Income (“SOI”) as net broadcast revenue minus
broadcast operating expenses. The company defines Digital Media Operating
Income as net Digital Media Revenue minus Digital Media Operating Expenses. The
company defines Publishing Operating Income (Loss) as net Publishing Revenue
minus Publishing Operating Expenses. The company defines EBITDA as net income
before interest, taxes, depreciation, and amortization. The company defines
Adjusted EBITDA as EBITDA before gains or losses on the disposition of assets,
before debt modification costs, before changes in the estimated fair value of
contingent earn-out consideration, before impairments, before net miscellaneous
income and expenses, before (gain) loss on early retirement of long-term debt
and before non-cash compensation expense. SOI, Digital Media Operating Income,
Publishing Operating Income (Loss), EBITDA and Adjusted EBITDA are commonly
used by the broadcast and media industry as important measures of performance
and are used by investors and analysts who report on the industry to provide
meaningful comparisons between broadcasters. SOI, Digital Media Operating
Income, Publishing Operating Income (Loss), EBITDA and Adjusted EBITDA are not
measures of liquidity or of performance in accordance with GAAP and should be
viewed as a supplement to and not a substitute for or superior to its results
of operations and financial condition presented in accordance with GAAP. The
company’s definitions of SOI, Digital Media Operating Income, Publishing
Operating Income (Loss), EBITDA and Adjusted EBITDA are not necessarily
comparable to similarly titled measures reported by other companies.

The
company defines Same Station net broadcast revenue as broadcast revenue from
its radio stations and networks that the company owns or operates in the same
format on the first and last day of each quarter, as well as the corresponding
quarter of the prior year. The company defines Same Station broadcast operating
expenses as broadcast operating expenses from its radio stations and networks
that the company owns or operates in the same format on the first and last day
of each quarter, as well as the corresponding quarter of the prior year. The
company defines Same Station SOI as Same Station net broadcast revenue less
Same Station broadcast operating expenses. Same Station operating results
include those stations that the company owns or operates in the same format on
the first and last day of each quarter, as well as the corresponding quarter of
the prior year. Same Station operating results for a full calendar year are
calculated as the sum of the Same Station-results for each of the four quarters
of that year. The company uses Same Station operating results, a non-GAAP
financial measure, both in presenting its results to stockholders and the
investment community, and in its internal evaluations and management of the
business. The company believes that Same Station operating results provide a
meaningful comparison of period over period performance of its core broadcast
operations as this measure excludes the impact of new stations, the impact of
stations the company no longer owns or operates, and the impact of stations
operating under a new programming format. The company’s presentation of Same
Station operating results are not intended to be considered in isolation or as
a substitute for the financial information prepared and presented in accordance
with GAAP. The company’s definition of Same Station operating results is not
necessarily comparable to similarly titled measures reported by other
companies.

For
all non-GAAP financial measures, investors should consider the limitations
associated with these metrics, including the potential lack of comparability of
these measures from one company to another.

The
Supplemental Information tables that follow the condensed consolidated financial
statements provide reconciliations of the non-GAAP financial measures that the
company uses in this earnings release to the most directly comparable measures
calculated in accordance with GAAP. The company uses non-GAAP financial
measures to evaluate financial performance, develop budgets, manage
expenditures, and determine employee compensation. The company’s presentation
of this additional information is not to be considered as a substitute for or
superior to the directly comparable measures as reported in accordance with
GAAP.

 

Salem Media Group, Inc.

Condensed Consolidated Statements of Operations

(in thousands, except share and per share data)

 

Three Months Ended

 

Six Months Ended

June 30,

 

June 30,

2021

 

2022

 

2021

 

2022

(Unaudited)

Net broadcast revenue

$

46,783

$

52,452

$

90,831

$

100,884

Net digital media revenue

10,339

10,804

19,958

21,104

Net publishing revenue

6,660

5,426

12,346

9,303

Total revenue

63,782

68,682

123,135

131,291

Operating expenses:

 

 

 

 

Broadcast operating expenses

36,162

42,489

69,505

80,610

Digital media operating expenses

8,338

8,273

17,011

16,746

Publishing operating expenses

6,426

5,432

11,631

9,899

Unallocated corporate expenses

4,192

4,781

8,480

9,591

 

Debt modification costs

 

 

 

 

20

 

 

 

 

248

 

Depreciation and amortization

 

 

3,286

 

 

3,190

 

 

6,456

 

 

6,466

 

Change in the estimated fair value of contingent earn-out consideration

 

 

 

 

 

 

 

 

(5)

 

Impairment of indefinite-lived long-term assets other than goodwill

 

 

 

 

3,935

 

 

 

 

3,935

 

Impairment of goodwill

 

 

 

 

127

 

 

 

 

127

Net (gain) loss on the disposition of assets

(263)

(6,893)

55

(8,628)

Total operating expenses

58,141

61,354

113,138

118,989

Operating income

5,641

7,328

9,997

12,302

Other income (expense):

 

 

 

 

Interest income

149

1

149

Interest expense

(3,935)

(3,389)

(7,861)

(6,783)

Gain (loss) on early retirement of long-term debt

35

(18)

 

Earnings from equity method investment

 

 

 

 

3,913

 

 

 

 

3,913

Net miscellaneous income and (expenses)

63

(1)

85

Net income before income taxes

1,769

8,035

2,222

9,563

Benefit from income taxes

(488)

(1,082)

(358)

(1,293)

Net income

$

2,257

$

9,117

$

2,580

$

10,856

 

 

 

 

Basic income per share Class A and Class B common stock

$

0.08

$

0.33

$

0.10

$

0.39

Diluted income per share Class A and Class B common stock

$

0.08

$

0.33

$

0.10

$

0.39

 

 

 

 

Basic weighted average Class A and Class B common stock shares outstanding

26,869,145

27,214,787

26,802,892

27,196,081

Diluted weighted average Class A and Class B common stock shares outstanding

27,232,423

27,570,881

27,185,598

27,590,644

 

 

Salem Media Group, Inc.

Condensed Consolidated Balance Sheets

(in thousands)

 

 

 

 

 

 

 

 

 

 

December 31, 2021

 

 

June 30, 2022

 

 

 

 

 

 

(Unaudited)

Assets

 

 

 

 

 

 

Cash

 

$

1,785

 

$

2,540

Trade accounts receivable, net

 

 

25.663

 

 

29,271

Other current assets

 

 

14,066

 

 

15,856

Property and equipment, net

 

 

79,339

 

 

79,713

Operating and financing lease right-of-use assets

 

 

43,665

 

 

44,110

Intangible assets, net

 

 

346,438

 

 

339,160

Deferred financing costs

 

 

843

 

 

774

Other assets

 

 

4,313

 

 

3,845

Total assets

 

$

516,112

 

$

515,269

 

 

 

 

 

 

 

Liabilities and
Stockholders’ Equity

 

 

 

 

 

 

Current liabilities

 

$

51,455

 

$

56,161

Long-term debt

 

 

170,581

 

 

155,595

Operating and financing lease liabilities, less current portion

 

 

42,273

 

 

42,652

Deferred income taxes

 

 

67,012

 

 

65,808

Other liabilities

 

 

6,580

 

 

5,718

Stockholders’ Equity

 

 

178,211

 

 

189,335

Total liabilities and stockholders’ equity

 

$

516,112

 

$

515,269

 

 

SALEM MEDIA GROUP, INC.

CONDENSED CONSOLIDATED STATEMENTS OF STOCKHOLDERS’
EQUITY

(in thousands,
except share and per share data
)

 

 

 

 

Class A

 

Class B

 

 

 

 

 

 

 

 

 

 

Common Stock

 

Common Stock

 

Additional

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Paid-In

 

Accumulated

 

Treasury

 

 

 

 

Shares

 

Amount

 

Shares

 

Amount

 

Capital

 

Deficit

 

Stock

 

Total

Stockholders’
equity, December 31, 2020

 

23,447,317

 

$

227

 

5,553,696

 

$

56

 

$

247,025

 

$

(78,023

)

 

$

(34,006

)

 

$

135,279

Stock-based compensation

 

 

 

 

 

 

 

 

78

 

 

 

 

 

 

 

 

78

Options
exercised

 

185,782

 

 

2

 

 

 

 

 

390

 

 

 

 

 

 

 

 

392

Net income

 

 

 

 

 

 

 

 

 

 

323

 

 

 

 

 

 

323

Stockholders’
equity,

March 31, 2021

 

23,633,099

 

$

229

 

5,553,696

 

$

56

 

$

247,493

 

$

(77,700

)

 

$

(34,006

)

 

$

136,072

Stock-based compensation

 

 

 

 

 

 

 

 

84

 

 

 

 

 

 

 

 

84

Net income

 

 

 

 

 

 

 

 

 

 

2,257

 

 

 

 

 

 

2,257

Stockholders’ equity, June 30, 2021

 

23,633,099

 

$

229

 

5,553,696

 

$

56

 

$

247,577

 

$

(75,443

)

 

$

(34,006

)

 

$

138,413

 

 

 

Class A

 

Class B

 

 

 

 

 

 

 

 

 

 

Common Stock

 

Common Stock

 

Additional

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Paid-In

 

Accumulated

 

Treasury

 

 

 

 

Shares

 

Amount

 

Shares

 

Amount

 

Capital

 

Deficit

 

Stock

 

Total

Stockholders’
equity, December 31, 2021

 

23,922,974

 

$

232

 

5,553,696

 

$

56

 

$

248,438

 

$

(36,509

)

 

$

(34,006

)

 

$

178,211

Stock-based compensation

 

 

 

 

 

 

 

 

106

 

 

 

 

 

 

 

 

106

Options
exercised

 

40,913

 

 

 

 

 

 

 

94

 

 

 

 

 

 

 

 

94

Lapse of restricted shares

 

14,854

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Net income

 

 

 

 

 

 

 

 

 

 

1,739

 

 

 

 

 

 

1,739

Stockholders’ equity,

March 31, 2022

 

23,978,741

 

$

232

 

5,553,696

 

$

56

 

$

248,638

 

$

(34,770

)

 

$

(34,006

)

 

$

180,150

Stock-based
compensation

 

 

 

 

 

 

 

 

68

 

 

 

 

 

 

 

 

68

Net income

 

 

 

 

 

 

 

 

 

 

9,117

 

 

 

 

 

 

9,117

Stockholders’
equity, June 30, 2022

 

23,978,741

 

$

232

 

5,553,696

 

$

56

 

$

248,706

 

$

(25,653

)

 

$

(34,006

)

 

$

189,335

 

 

Salem Media Group, Inc.

Supplemental Information

(in thousands)

 

Three Months Ended

 

Six Months Ended

June 30,

 

June 30,

2021

 

2022

 

2021

 

2022

(Unaudited)

Reconciliation of Total Operating Expenses to
Operating Expenses excluding Debt Modification Costs, Depreciation and
Amortization Expense, Changes in the Estimated Fair Value of Contingent
Earn-out Consideration, Impairments, Gains or Losses on the Disposition of
Assets and Stock-based Compensation Expense (Recurring Operating Expenses)

Operating Expenses

$

58,141

$

61,354

$

113,138

$

118,989

Less debt modification costs

 

 

 

 

 

(20)

 

 

 

 

 

(248)

Less depreciation and amortization expense

 

 

(3,286)

 

 

(3,190)

 

 

(6,456)

 

 

(6,466)

Less change in estimated fair value of contingent earn-out

consideration

5

Less impairment of indefinite-lived long-term assets other

than goodwill

 

 

 

 

(3,935)

 

 

 

 

(3,935)

Less impairment of goodwill

 

 

 

 

(127)

 

 

 

 

(127)

Less net gain (loss) on the disposition of assets

263

6,893

(55)

8,628

Less stock-based compensation expense

 

 

(84)

 

 

(68)

 

 

(162)

 

 

(174)

Total Recurring
Operating Expenses

$

55,034

$

60,907

$

106,465

$

116,672

 

 

 

 

 

 

 

 

 

 

 

 

 

Reconciliation of Net Broadcast Revenue to Same
Station Net Broadcast Revenue

Net broadcast revenue

 

$

46,783

 

$

52,452

 

$

90,831

 

$

100,884

Net broadcast revenue – acquisitions

(14)

(247)

Net broadcast revenue – dispositions

 

 

(96)

 

 

(56)

 

 

(113)

 

 

(49)

Net broadcast revenue – format change

(65)

(111)

Same Station net broadcast revenue

 

$

46,687

 

$

52,382

 

$

90,653

 

$

100,477

 

 

 

 

Reconciliation
of Broadcast Operating Expenses to Same Station Broadcast Operating Expenses

Broadcast operating expenses

 

$

36,162

 

$

42,489

 

$

69,505

 

$

80,610

Broadcast operating expenses – acquisitions

(63)

(1)

(279)

Broadcast operating expenses – dispositions

 

 

(81)

 

 

(24)

 

 

(214)

 

 

(48)

Broadcast operating expenses – format change

(131)

(132)

Same Station broadcast operating expenses

 

$

36,081

 

$

42,402

 

$

69,159

 

$

80,151

 

 

 

 

Reconciliation of SOI to Same Station SOI

 

 

 

 

 

 

 

 

 

 

 

 

Station Operating Income

$

10,621

$

9,963

$

21,326

 

$

20,274

Station operating (income) loss – acquisitions

 

 

 

 

49

 

 

1

 

 

32

Station operating (income) loss – dispositions

(15)

(32)

101

(1)

Station operating (income) loss – format change

 

 

 

 

 

66

 

 

21

Same Station – Station Operating Income

$

10,606

$

9,980

$

21,494

$

20,326

 

 

Salem Media Group, Inc.

Supplemental Information

(in thousands)

 

Three Months Ended

 

Six Months Ended

June 30,

 

June 30,

2021

 

2022

 

2021

 

2022

(Unaudited)

Calculation of Station Operating Income, Digital
Media Operating Income and Publishing Operating Income (Loss)

Net broadcast revenue

$

46,783

$

52,452

$

90,831

$

100,884

Less broadcast operating expenses

 

 

(36,162)

 

 

(42,489)

 

 

(69,505)

 

 

(80,610)

Station Operating Income

$

10,621

$

9,963

$

21,326

$

20,274

 

 

 

 

 

 

 

 

 

 

 

 

 

Net digital media revenue

$

10,339

$

10,804

$

19,958

$

21,104

Less digital media operating expenses

 

 

(8,338)

 

 

(8,273)

 

 

(17,011)

 

 

(16,746)

Digital Media Operating Income

$

2,001

$

2,531

$

2,947

$

4,358

 

 

 

 

 

 

 

 

 

 

 

 

 

Net publishing revenue

$

6,660

$

5,426

$

12,346

$

9,303

Less publishing operating expenses

 

 

(6,426)

 

 

(5,432)

 

 

(11,631)

 

 

(9,899)

Publishing Operating Income (Loss)

$

234

$

(6)

$

715

$

(596)

The company defines EBITDA (1) as net income before interest, taxes, depreciation, and amortization. The table below presents a reconciliation of EBITDA (1) to Net Income (Loss), the most directly comparable GAAP measure. EBITDA (1) is a non-GAAP financial performance measure that is not to be considered a substitute for or superior to the directly comparable measures reported in accordance with GAAP. The company defines Adjusted EBITDA (1) as EBITDA (1) before gains or losses on the disposition of assets, before debt modification costs, before changes in the estimated fair value of contingent earn-out consideration, before impairments, before net miscellaneous income and expenses, before (gain) loss on early retirement of long-term debt and before non-cash compensation expense. The table below presents a reconciliation of Adjusted EBITDA (1) to Net Income (Loss), the most directly comparable GAAP measure. Adjusted EBITDA (1) is a non-GAAP financial performance measure that is not to be considered a substitute for or superior to the directly comparable measures reported in accordance with GAAP.

 

Three Months Ended

June 30,

 

Six Months Ended

June 30,

2021

 

2022

 

2021

 

2022

 

(Unaudited)

Net income

$

2,257

 

$

9,117

 

$

2,580

 

$

10,856

 

Plus interest expense, net of capitalized interest

 

3,935

 

 

3,389

 

 

7,861

 

 

6,783

 

Plus benefit from income taxes

 

(488

)

 

(1,082

)

 

(358

)

 

(1,293

)

Plus depreciation and amortization

 

3,286

 

 

3,190

 

 

6,456

 

 

6,466

 

Less interest income

 

 

 

(149

)

 

(1

)

 

(149

)

EBITDA

$

8,990

 

$

14,465

 

$

16,538

 

$

22,663

 

Plus net (gain) loss on the disposition of assets

 

(263

)

 

(6,893

)

 

55

 

 

(8,628

)

Plus change in the estimated fair value of contingent earn-out consideration

 

 

 

 

 

 

 

(5

)

Plus debt modification costs

 

 

 

20

 

 

 

248

 

Plus impairment of indefinite-lived long-term assets other than goodwill

 

 

 

3,935

 

 

 

 

3,935

 

Plus impairment of goodwill

 

 

 

127

 

 

 

 

127

 

Plus net miscellaneous (income) and expenses

 

(63

)

 

1

 

 

(85

)

 

 

Plus (gain) loss on early retirement of long- term debt

 

 

 

(35

)

 

 

 

18

 

Plus non-cash stock-based compensation

 

84

 

 

68

 

 

162

 

 

174

 

Adjusted EBITDA

$

8,748

 

$

11,688

 

$

16,670

 

$

18,532

 

 

 

 

 

Outstanding at

 

 

Applicable

Selected Debt Data

 

June 30, 2022

 

 

Interest Rate

Senior Secured Notes due 2028 (1)

$

114,731,000

 

 

7.125

%

Senior Secured Notes due 2024 (2)

$

44,685,000

 

 

6.750

%

(1) $114.7 million notes with semi-annual interest payments at an annual rate of 7.125%.

(2) $44.7 million notes with semi-annual interest payments at an annual rate of 6.750%.

 

View source version on businesswire.com: https://www.businesswire.com/news/home/20220802006191/en/

Company Contact:
Evan D. Masyr
Executive Vice President and Chief Financial Officer
(805) 384-4512
evan@salemmedia.com

Source: Salem Media Group, Inc.

Released August
4, 2022

 


Release – Entravision Announces Closing of Strategic Investment in Leading Digital Marketing Services Company Jack of Digital



Entravision Announces Closing of Strategic Investment in Leading Digital Marketing Services Company Jack of Digital

Research, News, and Market Data on Entravision

Company expands
digital platform across Pakistan with additional opportunities throughout South
Asia

SANTA MONICA, Calif.–(BUSINESS WIRE)– Entravision (NYSE: EVC) (“Entravision” or “the Company”), a leading global advertising, media and ad-tech solutions company, announced today the closing of the previously announced strategic investment stake in Jack of Digital, a digital marketing services company that serves as the exclusive advertising sales partner of TikTok in Pakistan.

This press release features multimedia. View the full release here: 
https://www.businesswire.com/news/home/20220803005933/en/

Founded in 2020 by ad-tech and marketing industry veteran Faisal Sheikh, Jack of Digital specializes in international platform partnerships with some of the world’s top advertising, marketing and data platforms. Jack of Digital provides marketing and communication, advertising sales and relationship management services to a growing client base. The Company maintains exclusive advertising and data sales representations in Pakistan with short-form video platform TikTok, full-stack programmatic platform Eskimi, app entertainment tool SHAREit and ad fraud protection service Spider AF.

“We are delighted to officially welcome Jack of Digital into the Entravision portfolio of digital ad-tech solutions,” said Juan Saldívar, Chief Digital, Strategy and Accountability Officer of Entravision. “A core part of Entravision’s digital strategy is to expand our partnerships with leading social media platforms on a global basis. With our strategic investment in Jack of Digital, Entravision takes its exclusive partnership with TikTok in South Africa to Pakistan, bringing us access to nearly 100 million digitally connected consumers.”

Approximately 1.8 billion people, or 23% of the world’s population, live in South Asia, including the countries of Pakistan, India, Nepal, Bhutan, Bangladesh, Afghanistan and Sri Lanka. In Pakistan, where Jack of Digital is headquartered, over 98 million people are digitally connected, representing just under half of the total population. Pakistan is now amongst the over 35 countries that comprise Entravision’s digital operations.

“Partnering with Entravision is the next key step in our long-term growth trajectory,” said Faisal Sheikh, Chief Executive Officer of Jack of Digital. “We are excited to have access to Entravision’s extensive digital resources and sales expertise, that when combined with our strong foothold in Pakistan should lead to success for both companies. The growth opportunities are substantial, and we look forward to continuing to expand our efforts throughout South Asia.”

All Jack of Digital employees will remain with the company, and Faisal Sheikh will continue to serve as CEO of the business based out of its headquarters in Karachi, Pakistan.

About Entravision

Entravision is a leading global advertising, media and ad-tech solutions company connecting brands to consumers by representing top platforms and publishers. Our dynamic portfolio includes digital, television and audio offerings. Digital, our largest revenue segment, is comprised of four business units: our digital sales representation business; Smadex, our programmatic ad purchasing platform; our branding and mobile performance solutions business; and our digital audio business. Through our digital sales representation business, we connect global media companies such as Meta, Twitter, TikTok and Spotify with advertisers in primarily emerging growth markets worldwide. Smadex is our mobile-first demand side platform, enabling advertisers to execute performance campaigns using machine learning. We also offer a branding and mobile performance solutions business, which provides managed services to advertisers looking to connect with global consumers, primarily on mobile devices, and our digital audio business provides digital audio advertising solutions for advertisers in the Americas. In addition to digital, Entravision has 49 television stations and is the largest affiliate group of the Univision and UniMás television networks. Entravision also manages 45 primarily Spanish-language radio stations that feature nationally recognized, Emmy award-winning talent. Shares of Entravision Class A Common Stock trade on the NYSE under ticker: EVC. Learn more about our offerings at entravision.com or connect with us on LinkedIn and Facebook.

About Jack of Digital

Jack of Digital is a digital marketing company that specializes in international platform partnerships. Currently, Jack of Digital partners with TikTok, Eskimi, SHAREit and Spider AF and represents them in Pakistan. The primary areas of partnership include Advertising Sales, Marketing & Communications, and Relationship Management with advertisers and their media & creative agencies. Learn more about Jack of Digital’s offerings at jackofdigital.com or follow us on LinkedIn and Facebook for updates.

Forward Looking Statements

This press release contains certain forward-looking statements, including without limitation the Company’s current expectations and intentions with respect to the filing of its Form 10-K. These forward-looking statements, which are included in accordance with the safe harbor provisions of the Private Securities Litigation Reform Act of 1995, may involve known and unknown risks, uncertainties and other factors that may cause the Company’s actual results and performance in future periods to be materially different from any future results or performance suggested by the forward-looking statements in this press release. Although the Company believes the expectations reflected in such forward-looking statements are based upon reasonable assumptions, it can give no assurance that actual results will not differ materially from these expectations, and the Company disclaims any duty to update any forward-looking statements made by the Company. From time to time, these risks, uncertainties and other factors are discussed in the Company’s filings with the Securities and Exchange Commission.

Entravision:

Christopher T. Young
Chief Financial Officer
310-447-3870

Kimberly Esterkin

ADDO Investor Relations
310-829-5400

evc@addo.com

Jack of Digital:

Faisal Sheikh

Chief Executive Officer
+92 321 3770100
faisal@jackofdigital.com

Source: Entravision


Release – Entravision Communications Corporation Reports Second Quarter 2022 Results



Entravision Communications Corporation Reports Second Quarter 2022 Results

Research, News, and Market Data on Entravision

SANTA MONICA, Calif.–(BUSINESS WIRE)– Entravision (NYSE: EVC) (“Entravision” or “the Company”), a leading global advertising, media and ad-tech solutions company, announced today the closing of the previously announced strategic investment stake in Jack of Digital, a digital marketing services company that serves as the exclusive advertising sales partner of TikTok in Pakistan.

This press release features multimedia. View the full release here: 
https://www.businesswire.com/news/home/20220803005933/en/

Founded in 2020 by ad-tech and marketing industry veteran Faisal Sheikh, Jack of Digital specializes in international platform partnerships with some of the world’s top advertising, marketing and data platforms. Jack of Digital provides marketing and communication, advertising sales and relationship management services to a growing client base. The Company maintains exclusive advertising and data sales representations in Pakistan with short-form video platform TikTok, full-stack programmatic platform Eskimi, app entertainment tool SHAREit and ad fraud protection service Spider AF.

“We are delighted to officially welcome Jack of Digital into the Entravision portfolio of digital ad-tech solutions,” said Juan Saldívar, Chief Digital, Strategy and Accountability Officer of Entravision. “A core part of Entravision’s digital strategy is to expand our partnerships with leading social media platforms on a global basis. With our strategic investment in Jack of Digital, Entravision takes its exclusive partnership with TikTok in South Africa to Pakistan, bringing us access to nearly 100 million digitally connected consumers.”

Approximately 1.8 billion people, or 23% of the world’s population, live in South Asia, including the countries of Pakistan, India, Nepal, Bhutan, Bangladesh, Afghanistan and Sri Lanka. In Pakistan, where Jack of Digital is headquartered, over 98 million people are digitally connected, representing just under half of the total population. Pakistan is now amongst the over 35 countries that comprise Entravision’s digital operations.

“Partnering with Entravision is the next key step in our long-term growth trajectory,” said Faisal Sheikh, Chief Executive Officer of Jack of Digital. “We are excited to have access to Entravision’s extensive digital resources and sales expertise, that when combined with our strong foothold in Pakistan should lead to success for both companies. The growth opportunities are substantial, and we look forward to continuing to expand our efforts throughout South Asia.”

All Jack of Digital employees will remain with the company, and Faisal Sheikh will continue to serve as CEO of the business based out of its headquarters in Karachi, Pakistan.

About Entravision

Entravision is a leading global advertising, media and ad-tech solutions company connecting brands to consumers by representing top platforms and publishers. Our dynamic portfolio includes digital, television and audio offerings. Digital, our largest revenue segment, is comprised of four business units: our digital sales representation business; Smadex, our programmatic ad purchasing platform; our branding and mobile performance solutions business; and our digital audio business. Through our digital sales representation business, we connect global media companies such as Meta, Twitter, TikTok and Spotify with advertisers in primarily emerging growth markets worldwide. Smadex is our mobile-first demand side platform, enabling advertisers to execute performance campaigns using machine learning. We also offer a branding and mobile performance solutions business, which provides managed services to advertisers looking to connect with global consumers, primarily on mobile devices, and our digital audio business provides digital audio advertising solutions for advertisers in the Americas. In addition to digital, Entravision has 49 television stations and is the largest affiliate group of the Univision and UniMás television networks. Entravision also manages 45 primarily Spanish-language radio stations that feature nationally recognized, Emmy award-winning talent. Shares of Entravision Class A Common Stock trade on the NYSE under ticker: EVC. Learn more about our offerings at entravision.com or connect with us on LinkedIn and Facebook.

About Jack of Digital

Jack of Digital is a digital marketing company that specializes in international platform partnerships. Currently, Jack of Digital partners with TikTok, Eskimi, SHAREit and Spider AF and represents them in Pakistan. The primary areas of partnership include Advertising Sales, Marketing & Communications, and Relationship Management with advertisers and their media & creative agencies. Learn more about Jack of Digital’s offerings at jackofdigital.com or follow us on LinkedIn and Facebook for updates.

Forward Looking Statements

This press release contains certain forward-looking statements, including without limitation the Company’s current expectations and intentions with respect to the filing of its Form 10-K. These forward-looking statements, which are included in accordance with the safe harbor provisions of the Private Securities Litigation Reform Act of 1995, may involve known and unknown risks, uncertainties and other factors that may cause the Company’s actual results and performance in future periods to be materially different from any future results or performance suggested by the forward-looking statements in this press release. Although the Company believes the expectations reflected in such forward-looking statements are based upon reasonable assumptions, it can give no assurance that actual results will not differ materially from these expectations, and the Company disclaims any duty to update any forward-looking statements made by the Company. From time to time, these risks, uncertainties and other factors are discussed in the Company’s filings with the Securities and Exchange Commission.

Entravision:

Christopher T. Young
Chief Financial Officer
310-447-3870

Kimberly Esterkin

ADDO Investor Relations
310-829-5400

evc@addo.com

Jack of Digital:

Faisal Sheikh

Chief Executive Officer
+92 321 3770100
faisal@jackofdigital.com

Source: Entravision


Release – Direct Digital Holdings Announces Successful Extension To Existing Non-Dilutive Debt Facility



Direct Digital Holdings Announces Successful Extension To Existing Non-Dilutive Debt Facility

Research, News, and Market Data on Direct Digital Holdings

August 03, 2022 9:00am EDT 

HOUSTON , Aug. 3, 2022 /PRNewswire/ — Direct Digital Holdings, Inc. (Nasdaq: DRCT) (“Direct Digital” or the “Company”), a leading advertising and marketing technology platform and owner of operating companies Colossus Media, LLC, Huddled Masses LLC and Orange142, LLC, today announced the successful completion of an extension to its existing debt facility.

Direct Digital upsized its existing funded credit facility with Lafayette Square, a commercially scaled investment platform. The facility now totals $26 million, and the Company intends to deploy the additional capital to simplify and solidify its balance sheet and complete the final payment owed to a former owner, USDM Holdings, Inc., which will result in a lower blended cost of capital and increased cashflow to the Company.

Mark Walker, Chairman and Chief Executive Officer of Direct Digital, commented, “We are pleased to enhance our financial flexibility utilizing our existing debt agreement with Lafayette Square. Lafayette Square has been a committed, collaborative partner and has provided us with access to supportive non-dilutive capital as we continue to grow our business and optimize our capital structure.”

Damien Dwin, Founder and Chief Executive Officer of Lafayette Square, commented, “Lafayette Square is pleased to partner with Direct Digital, fuel its growth and identify ways to support the wellbeing of its employees. We support Direct Digital’s innovative approach to enact meaningful change benefitting historically marginalized communities across the advertising landscape.”

Forward
Looking Statements
This press release may contain forward-looking statements within the meaning of federal securities laws, including the Private Securities Litigation Reform Act of 1995, Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended, and which are subject to certain risks, trends and uncertainties. As used below, “we,” “us,” and “our” refer to Direct Digital. We use words such as “could,” “would,” “may,” “might,” “will,” “expect,” “likely,” “believe,” “continue,” “anticipate,” “estimate,” “intend,” “plan,” “prospect,” “project” and other similar expressions to identify forward-looking statements, but not all forward-looking statements include these words. All statements contained in this release that do not relate to matters of historical fact should be considered forward-looking statements. All of our forward-looking statements involve estimates and uncertainties that could cause actual results to differ materially from those expressed in or implied by the forward-looking statements. Our forward-looking statements are based on assumptions that we have made in light of our industry experience and our perceptions of historical trends, current conditions, expected future developments and other factors we believe are appropriate under the circumstances. Although we believe that these forward-looking statements are based on reasonable assumptions, many factors could affect our actual operating and financial performance and cause our performance to differ materially from the performance expressed in or implied by the forward-looking statements, including, but not limited to: our dependence on the overall demand for advertising, which could be influenced by economic downturns; any slow-down or unanticipated development in the market for programmatic advertising campaigns; the effects of health epidemics, such as the ongoing global COVID-19 pandemic; operational and performance issues with our platform, whether real or perceived, including a failure to respond to technological changes or to upgrade our technology systems; any significant inadvertent disclosure or breach of confidential and/or personal information we hold, or of the security of our or our customers’, suppliers’ or other partners’ computer systems; any unavailability or non-performance of the non-proprietary technology, software, products and services that we use; unfavorable publicity and negative public perception about our industry, particularly concerns regarding data privacy and security relating to our industry’s technology and practices, and any perceived failure to comply with laws and industry self-regulation; restrictions on the use of third-party “cookies,” mobile device IDs or other tracking technologies, which could diminish our platform’s effectiveness; any inability to compete in our intensely competitive market; any significant fluctuations caused by our high customer concentration; our limited operating history, which could result in our past results not being indicative of future operating performance; any violation of legal and regulatory requirements or any misconduct by our employees, subcontractors, agents or business partners; any strain on our resources, diversion of our management’s attention or impact on our ability to attract and retain qualified board members as a result of being a public company; our dependence, as a holding company, on receiving distributions from Direct Digital Holdings, LLC to pay our taxes, expenses and dividends; and other factors and assumptions discussed in the “Risk Factors,” “Management’s Discussion and Analysis of Financial Conditions and Results of Operations” and other sections of our filings with the SEC that we make from time to time. Should one or more of these risks or uncertainties materialize or should any of these assumptions prove to be incorrect, our actual operating and financial performance may vary in material respects from the performance projected in or implied by these forward-looking statements. Further, any forward-looking statement speaks only as of the date on which it is made, and except as required by law, we undertake no obligation to update any forward-looking statement contained in this release to reflect events or circumstances after the date on which it is made or to reflect the occurrence of anticipated or unanticipated events or circumstances, and we claim the protection of the safe harbor for forward-looking statements contained in the Private Securities Litigation Reform Act of 1995.

About
Direct Digital Holdings
Direct Digital Holdings, Inc. (Nasdaq: DRCT), owner of operating companies Colossus Media, LLC, Huddled Masses LLC and Orange142, LLC, brings state-of-the-art sell- and buy-side advertising platforms together under one umbrella company. Direct Digital Holdings, Inc.’ sell-side platform, Colossus Media, LLC, offers advertisers of all sizes extensive reach within general market and multicultural media properties. The company’s subsidiaries Huddled Masses LLC and Orange142, LLC deliver significant ROI for middle market advertisers by providing data-optimized programmatic solutions at scale for businesses in sectors that range from energy to healthcare to travel to financial services. Direct Digital Holdings Inc.’ sell- and buy-side solutions manage approximately 70,000 clients monthly, generating over 90 billion impressions per month across display, CTV, in-app and other media channels. The company has been named a top minority-owned business by The Houston Business Journal.

About
Lafayette Square
Lafayette Square is a commercially scaled investment platform built for and enhanced by our commitment to impact.  The firm deploys long-term capital alongside impactful services to local communities across America through its credit, real estate, and renewables divisions. Lafayette Square’s mission is to be the leading provider of impact-driven capital working toward a more inclusive economy.  For more information about Lafayette Square, please visit www.lafayettesquare.com.

Cision View original content to download multimedia:https://www.prnewswire.com/news-releases/direct-digital-holdings-announces-successful-extension-to-existing-non-dilutive-debt-facility-301598144.html

SOURCE Direct Digital Holdings

Released August 3, 2022

 


Townsquare Media (TSQ) – The Undervalued Industry Standard Bearer

Wednesday, August 03, 2022

Townsquare Media (TSQ)
The Undervalued Industry Standard Bearer

Townsquare is a community-focused digital media and digital marketing solutions company with market leading local radio stations, principally focused outside the top 50 markets in the U.S. Our assets include a subscription digital marketing services business, Townsquare Interactive, providing website design, creation and hosting, search engine optimization, social media and online reputation management as well as other digital monthly services for approximately 26,800 SMBs; a robust digital advertising division, Townsquare IGNITE, a powerful combination of a) an owned and operated portfolio of more than 330 local news and entertainment websites and mobile apps along with a network of leading national music and entertainment brands, collecting valuable first party data, and b) a proprietary digital programmatic advertising technology stack with an in-house demand and data management platform; and a portfolio of 321 local terrestrial radio stations in 67 U.S. markets strategically situated outside the Top 50 markets in the United States. Our portfolio includes local media brands such as WYRK.com, WJON.com, and NJ101.5.com and premier national music brands such as XXLmag.com, TasteofCountry.com, UltimateClassicRock.com and Loudwire.com.

Michael Kupinski, Director of Research, Noble Capital Markets, Inc.

Patrick McCann, Research Associate, Noble Capital Markets, Inc.

Refer to the full report for the price target, fundamental analysis, and rating.

Strong Q2 results. The company reported record quarterly revenue of $121.9 million, 3.6% higher than our estimate of $117.7 million. Adj. EBITDA of $32.4 million compared favorably to our estimate of $32.2 million. The quarter demonstrated the resiliency of local advertising and the success of Townsquare’s digital businesses.

Holding up to economic headwinds. Broadcast advertising revenue of $56.9 million was slightly up from $56.4 million in the prior year period. The continued steady Broadcast revenue is attributable to the company’s local market focus. While national advertising was down double-digits, it only accounts for roughly 7% of the company’s revenue. Management noted that local advertising, a more meaningful component of the business, continues to pace up.  

This Company Sponsored Research is provided by Noble Capital Markets, Inc., a FINRA and S.E.C. registered broker-dealer (B/D).

*Analyst certification and important disclosures included in the full report. NOTE: investment decisions should not be based upon the content of this research summary. Proper due diligence is required before making any investment decision. 

Release – Comtech to Showcase 911 Solutions for States and Local Jurisdictions at APCO



Comtech to Showcase 911 Solutions for States and Local Jurisdictions at APCO

Research, News, and Market Data on Comtech Telecommunications

MELVILLE, N.Y.–(BUSINESS WIRE)–Aug. 2, 2022– 
Aug. 2, 2022— 
Comtech Telecommunications Corp. (NASDAQ: CMTL), a global leading provider of next-generation 911 emergency systems and secure wireless communications technologies, announced today that it will be showcasing all of the Company’s Next Generation 911 (“NG911”) solutions at the annual 
Association of Public-Safety Communications Officials-International (“APCO”) Conference & Expo, 
August 7-10, 2022
, at the 
Anaheim Convention Center in 
Anaheim, CA.

With decades of experience, 
Comtech has developed an extensive portfolio of emergency call routing, call handling, location data delivery and text messaging solutions, and has strengthened its one-stop-shop NG911 capabilities for state and local jurisdictions. 
Comtech is the only company in the industry offering a single-source, next-generation 911 approach that includes comprehensive in-house capabilities spanning the entire deployment and ongoing systems management.

Comtech invites attendees to visit booth 519, meet its team of 911 industry experts, and learn more about the following:

  • Call Routing and
    Location Delivery

    Comtech designs, implements, and operates secure, highly available, carrier agnostic Emergency Services IP Networks (“ESInets”) across 
    the United States. Our NENA i3 NG911 Next
    Generation Core Services
     (“NGCS”) applications enable end-to-end Internet Protocol (“IP”) call completion and data delivery, and our multiple operational models put our customers in control of their regional or statewide deployment.
  • Call Handling and
    Management Solutions
    : Purpose-built with more than 30 years of research and innovation, Comtech Solacom’s line of NG911 solutions leverage advanced hardware and software technologies that are trusted to streamline processes and enable a more efficient collection of critical information in emergency situations. Live demonstrations for our industry-leading 911 solutions include Guardian Call
    Handling
    Map, and our latest workload planning and management application, Insights.
  • Cybersecurity: Comtech’s CyberStronger™ 
    solutions include up-skill, re-skill, and training systems to increase the cybersecurity skills of any mission-critical workforce or public safety staff. These solutions provide education, hands-on training, and live online knowledge assessment and skills-building programs in all cybersecurity areas.
  • Situational
    Awareness
    : Comtech’s SmartResponse™ situational awareness platform is an in-cloud geospatial solution with real time, contextual, and actionable intelligence for public safety answering points (“PSAPs”) and security agencies. This powerful application collates human and device-generated data into a flexible mapping interface, providing actionable insights into emergency situations for efficient and effective management of crisis situations.
  • Text Messaging
    Capabilities

    Comtech offers multiple options for Text to 911, including an interim web-based solution (“
    EMedia®”) and Session Initiation Protocol (“SIP”) Message Session Relay Protocol (“MSRP”) 
    connectivity from the 
    Comtech Text Control Center (“TCC”) to PSAPs’ call handling equipment (“CHE”). Additionally, Messenger readies call takers with the ability to collect, process and share previously unavailable live incident information such as text, photos, and video via short message service (“SMS”)/multimedia messaging service (“MMS”), from one integrated desktop.

About Comtech

Comtech Telecommunications Corp. is a leading global provider of next-generation 911 emergency systems and secure wireless communications technologies to commercial and government customers around the world. Headquartered in 
Melville, New York and with a passion for customer success, 
Comtech designs, produces and markets advanced and secure wireless solutions. For more information, please visit www.comtech.com.

Forward-Looking
Statements

Certain information in this press release contains statements that are forward-looking in nature and involve certain significant risks and uncertainties. Actual results could differ materially from such forward-looking information. The Company’s 
Securities and Exchange Commission filings identify many such risks and uncertainties. Any forward-looking information in this press release is qualified in its entirety by the risks and uncertainties described in such 
Securities and Exchange Commission filings.

PCMTL

Investor Relations Robert Samuels 631-962-7102
robert.samuels@comtech.com

Source: 
Comtech Telecommunications Corp.


Beasley Broadcast Group (BBGI) – Growth Initiatives Providing Some Cushion

Tuesday, August 02, 2022

Beasley Broadcast Group (BBGI)
Growth Initiatives Providing Some Cushion

Beasley Broadcast Group, Inc. owns and operates 61 stations (47 FM and 14 AM) in 15 large- and mid-size markets in the United States. Approximately 20 million consumers listen to the Company’s radio stations weekly over-the-air, online and on smartphones and tablets, and millions regularly engage with the Company’s brands and personalities through digital platforms such as Facebook, Twitter, text messaging, digital and web applications and email. The Overwatch League’s Houston Outlaws esports team is a wholly owned subsidiary. The Company also owns BeasleyXP, a national esports content hub, and AXLR-R8, a Rocket League Championship Series team, in its esports portfolio. For more information, please visit www.bbgi.com.

Michael Kupinski, Director of Research, Noble Capital Markets, Inc.

Patrick McCann, Research Associate, Noble Capital Markets, Inc.

Refer to the full report for the price target, fundamental analysis, and rating.

Solid Q2 results. The company reported Q2 revenue of $64.8 million, slightly better than our estimate of $63.7 million, which was driven by strong Digital revenue growth, as well as expanding local advertising revenue. Adj. EBITDA of $6.99 million was in line with our expectation of $6.93 million.

Strong Digital Growth. Digital revenue grew 34.3% year-over-year to $10.7 million, accounting for 16.5% of total company revenue in the quarter. With the recent acquisition of a digital agency, the company has an attractive platform for enhanced Digital revenue growth. We believe Beasley is on track to achieve its target of Digital revenue accounting for 20% of total revenue by year-end.  

This Company Sponsored Research is provided by Noble Capital Markets, Inc., a FINRA and S.E.C. registered broker-dealer (B/D).

*Analyst certification and important disclosures included in the full report. NOTE: investment decisions should not be based upon the content of this research summary. Proper due diligence is required before making any investment decision. 

Beasley Broadcast Group (BBGI) – Raises Its Digital Game

Tuesday, July 26, 2022

Beasley Broadcast Group (BBGI)
Raises Its Digital Game

Beasley Broadcast Group, Inc. owns and operates 61 stations (47 FM and 14 AM) in 15 large- and mid-size markets in the United States. Approximately 20 million consumers listen to the Company’s radio stations weekly over-the-air, online and on smartphones and tablets, and millions regularly engage with the Company’s brands and personalities through digital platforms such as Facebook, Twitter, text messaging, digital and web applications and email. The Overwatch League’s Houston Outlaws esports team is a wholly owned subsidiary. The Company also owns BeasleyXP, a national esports content hub, and AXLR-R8, a Rocket League Championship Series team, in its esports portfolio. For more information, please visit www.bbgi.com.

Michael Kupinski, Director of Research, Noble Capital Markets, Inc.

Patrick McCann, Research Associate, Noble Capital Markets, Inc.

Refer to the full report for the price target, fundamental analysis, and rating.

Non-deal road show highlights: Marie Tedesco, CFO, accompanied by Tina Murley, CRO, highlighted the company’s growing digital business, improving efficiency, and strong local advertising base at meetings to investors last week in St. Louis. This report recaps the key topics discussed. 

New digital revenue stream. Beasley recently purchased a digital marketing agency, a one-stop shop for small businesses for digital advertising, web site development, search optimization, and social media monitoring, among others. Beasley charges $500 to $1500 per month for the service, which represents an entirely new recurring revenue stream for the company. The company plans for Digital to be 40% of its business in 2 years, above its previous estimate of 30%. 

This Company Sponsored Research is provided by Noble Capital Markets, Inc., a FINRA and S.E.C. registered broker-dealer (B/D).

*Analyst certification and important disclosures included in the full report. NOTE: investment decisions should not be based upon the content of this research summary. Proper due diligence is required before making any investment decision. 

Noble Capital Markets Media Sector Review – Q2 2022

Noble Capital Markets Media Sector Review – Q2 2022


INTERNET AND DIGITAL MEDIA COMMENTARY

A Third Consecutive Quarter of Declines for Internet and Digital Media Stocks

Last quarter we wrote that despite performing well overall in 2021, Internet and Digital Media stocks performed poorly in the fourth quarter of 2021 and again in the first quarter of 2022. Unfortunately, that trend continued in the second quarter of 2022. None of Noble’s Internet and Digital Media Indices outperformed the broader market, which we define as the S&P 500. The S&P 500 Index decreased by 16% in 2Q 2022, which was better than Noble’s Digital Media Index (-24%), MarTech Index (-28%), Esports & iGaming Index (-29%), Social Media Index (-30%), and AdTech Index (-39%).

The theme from last quarter was that high flying stocks got “their wings clipped”, in which we noted that the tech stocks with the highest multiples were the worst performers in the sector. What’s interesting to note this quarter is that not even the FAANG stocks were immune to this trend in 2Q 2022. Last quarter, only two of the FAANG stocks posted double digit declines. This quarter, all of them did: Google (GOOGL) was down 22%, Apple (AAPL) was down 22%, Facebook was down 27%, Amazon was down 35%, and Netflix was down 53%).

It is not surprising that AdTech stocks were the worst performers in 2Q 2002. Advertising spend is a discretionary expenditure and with the backdrop of macro headwinds that include inflation, rising interest rates, war in Ukraine and supply chain issues, investors decided to shoot first and ask questions later. We believe advertising held up well in the months of April and May but began to see a slowdown, particularly in national advertising, in June. Standard Media Index, which tracks national advertising across all media, reported that national ad spending in June decreased by 3% year-over-year, the first year-over-year decline in national ad spend since February 2021 (see the chart on the top of page 2). Again, online advertising held up relatively well, with traditional media ad spend down 17%, while digital ad spending increased 9%.

NOBLE Capital Markets, Inc. is a FINRA registered broker/dealer. Member – SIPC (Securities Investor Protection Corporation). Refer to the segment analysis part of the Newsletter to see the components of NOBLE Media Segment Indexes

Nevertheless, recent data suggests that online ad spending growth has slowed, which was confirmed by SNAP’s second quarter earnings call in which they noted that company’s revenue growth decreased from 38% in 1Q to 13% in 2Q. More concerning was that the company’s 3Q revenues are pacing flat with a year ago. Twitter’s (TWTR) 2Q results seem to have confirmed the ad spend slowdown. Twitter’s 16% revenue growth in 1Q slowed to -1% in 2Q. Twitter’s press release also noted the impact that a stronger dollar had on its revenue growth. A stronger dollar shaved 400 bps off Twitter’s 2Q revenue growth.

Perhaps more concerning for Snap and Twitter was that expense growth significantly exceeded revenue growth. Snap’s operating expenses increased by 27% resulting in a 94% decrease in adjusted EBITDA (to $7M from $117M in 2Q 2021) as margins fell from 12% in 2Q 2021 to 1% in 2Q 2022. Twitter’s results were little better: expenses increased by 26%, resulting in an adjusted EBITDA decrease of 68% (to $112M from $343M in 2Q 2021) as margins fell to 10% from 29% in 2Q 2021.

We expect more companies to report moderating revenue growth and those that rein in expense growth ought to outperform those that face significant margin compression.

2Q 2022 M&A Holds Up Well Despite Macro Headwinds

One might expect that given the very difficult macro headwinds that companies faced in the second quarter, that deal activity would have fallen off dramatically relative to the first quarter or the year ago period. However, this did not happen, and M&A held up well in the second quarter. We tracked 169 deals in the second quarter of 2022 in the TMT sectors we follow, a 5% decrease compared to the first quarter of 2022, when we tracked 177 deals, and 10% higher than 2Q 2021, when we tracked 153 transactions. We also did not see a material slowdown in deal activity within the second quarter, but rather the opposite: a pick-up in deal activity, with 49 deals announced in April, 57 in May and 63 in June. This is fairly unusual as macro headwinds typically create uncertainty, particularly with future forecasts, which tends to have a dampening effect on M&A transactions.

The dollar value of the deals we tracked in 2Q 2022 decreased sequentially (by 14% to $93.6 billion, down from $108.4 billion in 1Q 2022), but increased year-over-year (by 185% from $32.9 billion in 2Q 2021). The deal value for 2Q 2022 should come with a caveat, as the largest deal in 2Q 2022 was Elon Musk’s $46 billion acquisition of Twitter, which he subsequently backed out of. There is a chance that Mr. Musk could be forced to close on this acquisition, depending upon a judge’s decision. If we take the largest 2Q 2022 deal out of the numbers, then 2Q 2022 deal value would have fallen by 56% sequentially but still be up 43% versus the year ago period.

From a deal volume perspective, the most active sectors we tracked were Marketing Tech (49 deals), Digital Content (43 deals) and Agency & Analytics (32 deals). From a deal value perspective, the most active sectors were Social Media ($48.5B including the Twitter deal or $2.1B if you exclude it), Digital Content ($18.6B), Marketing Tech ($10.6B), and Information ($9.8B).

Of the $18.6B in announced transactions in the Digital Content sector, $15B of this amount was attributable to the video gaming subsector, with $15 billion of announced deals in the second quarter. The largest transaction was the $14.5B announced acquisition of serial acquirer Enbracer Group by Savvy Gaming Group, which is backed by the Public Investment Fund of Saudi Arabia. A look at the largest Gaming M&A transactions of 2Q 2022 is provided in the chart below.

On the other end of the spectrum, there were surprisingly few M&A transactions in the AdTech sector, with just 4 announced transactions, down from 15 in the first quarter of 2022. Deal value also fell dramatcially, from $1.5B in the first quarter of 2022 to just $100 million in the second quarter.

Another hot sector that has come off the boil is the podcasting space. During the second quarter of 2022, the only notable M&A transaction in podcasting was SiriusXM’s $150 million acquisition of Team Coco Digital. Despite a lack of podcast M&A transactions, audio remained a key area of focus in M&A. Examples include the reverse merger between the SPAC I2PO Societe anonyme and streaming audio company Deezer for $1.2 billion. Audio focused transactions also include Spotify’s acquisition of AI voice generation company Sonantic Ltd., and SouncCloud’s acquisition of AI enabled hit prediction software company Musiio.

We expect M&A in the Internet and Digital Media sector to moderate in the coming months given macroeconomic headwinds and the accompanying increased uncertainty around financial forecasts.

Esports & iGaming

The following is an excerpt from a recent note by Noble’s Media Equity Research Analyst Michael Kupinski

What Will The Industry Look Like? 

Once the darlings of Wall Street the industry has taken a meaningful turn as investors shun developmental industries, like Esports. Many companies in this sector are in survival mode, shuttering money losing operations, seeking alternative financing options, and/or selling off assets. Companies that Noble provides equity research coverage on include Esports Entertainment, Engine Media and Motorsport Games. In the case of Esports Entertainment, the shares are down 92% over the past year. Motorsport Games is down 95%, and, Engine Media is down 81% in the comparable time frame.

Notably, each of those companies has a potential path to survive and create value to shareholders. In the case of Esports, there are assets that the company could sell, which generate cash flow. The risk is that it may not be able to sell them for what the company paid for them. Engine Media seems to be on a more favorable path at this point. The company quickly sold off assets and shuttered money losing businesses. As such, the company appears to have a pathway toward cash flow break even, expected by the third quarter.

We view the GAME shares as a high risk/high reward prospect. Motorsport Games appears to us to be the most intriguing speculative investment. The company has multiple pathways to create value. It could time its game releases to generate positive cash flow, which it can then use to invest in launching additional games. In addition, it could seek financing from its parent company to fund its game development through launch. As such, Motorsport is among our favored speculative investment in the space.

Finally, we recommend the shares of Codere Online Luxembourg in the iGaming space. The company has cash to develop its iGaming business in developing countries. It could back off of the development should market conditions change. As such, we believe that the company will survive and possibly become a leader in its respective markets as companies with less financial flexibility exit markets.

TRADITIONAL MEDIA COMMENTARY

The following is an excerpt from a recent note by Noble’s Media Equity Research Analyst Michael Kupinski

Overview

How Bad Will It Be? 

The advertising recession may already be here. Based on Standard Media Index’s U.S. Ad Market Tracker (Ad Tracker), the U.S. advertising market contracted 3% in June, illustrated by Figure #1 Ad Trends. This was the first decline in the Index since February 2021. Notably, the contraction in advertising was felt by traditional media, which declined 16.6%, while Digital Media increased 8.6% in June. A bifurcated market? The advertising decline was among the U.S. largest, top 10 advertisers. Ad Tracker indicated that the other categories expanded a modest 1.2% in June. What does the data tell us? For one, economically sensitive National advertisers are anticipating a general economic downturn given a rising interest rate environment. National advertising was very weak, down in excess of 20% for most traditional mediums. In our view, advertising weakness will disproportionately be felt in the major U.S. markets where the economy is largely impacted. It is possible that local advertising may still growing, albeit modestly and more likely in smaller markets. Traditional mediums with a large digital component likely will perform better, if not well, compared with industry peers. We believe that advertising pacings in July are likely to be similar to that of the weak advertising environment in June, driven by continued weak National advertising.

The media stocks seem to have already anticipated the somber news. Media stocks as a group over the past 12 months are down 30% to 40%, significantly under performing the general market decline of 20.4% as measured by the S&P 500 Index in the comparable time frame. While Digital fundamentals appear more favorable, the digital stocks did not fare well. The average Digital Media stock, which includes Digital Ad Tech, is down 35% over the past 12 months.

Are the stocks oversold? We think so. In our view, while second quarter results may miss expectations, given the softness in advertising in June, we believe that the results may be better than most investors fear. Most companies guided toward a softer second quarter from the first quarter. As such, most investors expected moderation in revenue in the quarter. With the 30% to 40% decline in stocks over the past year, we believe that investors have factored in a severe economic downturn. The second quarter advertising environment does not appear to reflect that type of situation. While the third quarter is likely to start off weak, a follow through from June into July and August, we believe that advertising should improve in August. Media fundamentals in the second half of the year should be buoyed by the influx of Political advertising, which has already begun in some markets. In addition, Digital advertising appears to be doing well. And, to some degree, advertisers may be pushing budgets toward the important Holiday season. Macro economic trends may even force advertisers to advertise more heavily into back to school and the important Holiday seasons. In addition, the Fed typically is not as aggressive in raising rates in advance of elections.

It is possible that the Fed will read the recent economic weakness as a signal to be less aggressive on rate increases. Such a move would buoy the general stock market, in our view. Consequently, there may even be an improvement in advertising toward the end of the third quarter and into the fourth quarter. This scenario would suggest that there could be a tradeable bounce in media stocks.

What should investors do? In our view, media investors should take an accumulation approach. Historically, the best time to buy media stocks has been in the midst of an economic downturn. The mid-point of that downturn is difficult to predict. As such, investors should be selective and take an accumulation approach. We encourage investors to focus on companies that have large digital segments, have diversified revenue streams that are not advertising sensitive, and on companies that have the financial capability to weather an economic downturn. Some of our favorites include: Entravision (EVC), E.W. Scripps (SSP), and Townsquare Media (TSQ). Additional companies are highlighted later in this report.  7

Broadcast Television

Will Television Fare Better This Time?

As a group, Broadcast TV stocks dropped 22.6% in Q2, in what was a reversal from Q1 when the industry climbed a solid 10%. It appears the broad economic implications of prolonged supply chain disruptions, rising inflation, and concerns over an economic downturn in a rising interest rate environment curbed investor appetite. Larger cap stocks, such as Nexstar (NXST) performed better, down 14%, while the shares of E.W. Scripps (SSP) underperformed, down 40%, in the latest quarter. It is not surprising that the stocks are underperforming, but the level of decline is notable. It is typical that advertising driven media stocks underperform in a rising interest rate environment due to the adverse impact on economically sensitive advertising. But, television has diversified revenue streams, with retransmission revenue accounting for a large portion of revenue. We believe that investors have not differentiated among the TV stocks. In the case of E.W. Scripps, the company is expected to benefit from strong political advertising in the second half of this year. In addition, 75% of its subscribers in 2023 come up for renewal. Some of those subscribers are at very low rates. Based on our estimates, roughly 2.5 million Comcast subscribers are at $2.20 per sub. Based on current market prices, we expect Scripp’s rates will rise comfortably above $3.00 per sub. We believe that the high margin political advertising and the lift from retrans next year will allow the company to pare down debt leverage, which appears to be a key concern for investors.

But, one stock stands out to us, Entravision. This company has completely transformed from a traditional broadcast company to a Digital Media powerhouse. Digital now represents roughly 80% of total company revenues. While it is lower margin business, it is rapidly growing. The company represents Facebook, Spotify and TikTok is some of the fastest growing markets. Notably, the company recently announced that it has expanded its relationship with Meta to be the Facebook rep in Honduras and El Salvador, now representing 11 countries in Latin America. We believe that the company will report better than consensus estimates for the second quarter and recently raised our full year 2022 adj. EBITDA expectations. With the shares trading slightly above 4 times cash flow, we believe that there is limited downside risk and a favorable risk/reward relationship.

Broadcast Radio

All Is Not Lost

Similar to the TV industry, radio stocks reversed course in Q2, falling 34% after modest 2% gains in Q1. While all media stocks struggled in the latest quarter, none have performed more poorly than the Radio sector. Noble’s Radio index is down 63% over the past 12 months, as shown in the chart at the bottom of page 13. This market cap weighted index reflected the performance of the largest cap companies, including Audacy and iHeart Media, which are down 81% and 69%, respectively. Much of the pain in those stocks was delivered in the latest quarter, with Audacy down 67% and iHeart down 58%. Both of those stocks were adversely affected by a downgrade by a Wall Street firm, given the unfavorable outlook for national advertising, and relatively high debt leverage, heading into a possible economic downturn. As investors shunned radio stocks, they did not appear to differentiate among the players in the industry. Outside of Audacy and iHeart Media, the rest of the radio stocks did not fare well either. The rest of the radio stocks were in the range of down 22% (Cumulus Media) to down 27% (Beasley Broadcast) on the low end to down 36% (Townsquare Media) and down 37% (Salem Media) on the high end.

Investors should take note. Townsquare Media is largely a digital media company, with 51% of its revenues derived from its fast- growing digital media businesses. The company demonstrated that this business is largely recession resistant, growing revenues through the depths of the Covid pandemic. In addition, the company operates in small market radio, which tends not to suffer from the vagaries of the economic cycle. Salem Media is somewhat similar in that it has a diversified revenue stream as well. In addition, over 30% of its radio business is from a very stable block programming business. Finally, Beasley Broadcasting has recently bolstered its digital development with an acquisition that allows the company to scale its digital business. Management recently indicated that it plans for digital to account for 40% of its total company revenues in a short 2 years. Figure #10 Radio Comparables highlight the recession type valuations that many of the stocks currently trade.

DOWNLOAD THE FULL REPORT (PDF)

View the PDF version for segment analysis, M&A activity, and more…

Noble Capital Markets Media Newsletter Q2 2022

This newsletter was prepared and provided by Noble Capital Markets, Inc. For any questions and/or requests regarding this news letter, please contact >Chris Ensley

DISCLAIMER

All statements or opinions contained herein that include the words “ we”,“ or “ are solely the responsibility of NOBLE Capital Markets, Inc and do not necessarily reflect statements or opinions expressed by any person or party affiliated with companies mentioned in this report Any opinions expressed herein are subject to change without notice All information provided herein is based on public and non public information believed to be accurate and reliable, but is not necessarily complete and cannot be guaranteed No judgment is hereby expressed or should be implied as to the suitability of any security described herein for any specific investor or any specific investment portfolio The decision to undertake any investment regarding the security mentioned herein should be made by each reader of this publication based on their own appraisal of the implications and risks of such decision This publication is intended for information purposes only and shall not constitute an offer to buy/ sell or the solicitation of an offer to buy/sell any security mentioned in this report, nor shall there be any sale of the security herein in any state or domicile in which said offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of any such state or domicile This publication and all information, comments, statements or opinions contained or expressed herein are applicable only as of the date of this publication and subject to change without prior notice Past performance is not indicative of future results.

Please refer to the above PDF for a complete list of disclaimers pertaining to this newsletter

Release – Entravision Schedules Second Quarter 2022 Earnings Release and Conference Call



Entravision Schedules Second Quarter 2022 Earnings Release and Conference Call

Research, News, and Market Data on Entravision

SANTA MONICA, Calif.–(BUSINESS WIRE)– Entravision (NYSE: EVC), a leading global advertising solutions, media and technology company, announced that it will release its second quarter 2022 financial results after market close on Wednesday, August 3, 2022. The Company will host a conference call that day at 5:00 p.m. Eastern Time to discuss the second quarter 2022 results.

To access the conference call, please dial (877) 407-9716 (U.S.) or (201) 493-6779 (International) ten minutes prior to the start time. The call will also be available via live webcast on the investor relations portion of the Company’s website located at www.entravision.com.

If you cannot listen to the conference call at its scheduled time, there will be a replay available through Wednesday, August 17, 2022 which can be accessed by dialing (844) 512-2921 (U.S.) or (412) 317-6671 (International) and entering the passcode 13730294. The webcast will also be archived on the Company’s website.

About Entravision

Entravision is a leading global advertising, media and ad-tech solutions company connecting brands to consumers by representing top platforms and publishers. Our dynamic portfolio includes digital, television and audio offerings. Digital, our largest revenue segment, is comprised of four business units: our digital sales representation business; Smadex, our programmatic ad purchasing platform; our branding and mobile performance solutions business; and our digital audio business. Through our digital sales representation business, we connect global media companies such as Meta, Twitter, TikTok and Spotify with advertisers in primarily emerging growth markets worldwide. Smadex is our mobile-first demand side platform, enabling advertisers to execute performance campaigns using machine learning. We also offer a branding and mobile performance solutions business, which provides managed services to advertisers looking to connect with global consumers, primarily on mobile devices, and our digital audio business provides digital audio advertising solutions for advertisers in the Americas. In addition to digital, Entravision has 49 television stations and is the largest affiliate group of the Univision and UniMás television networks. Entravision also manages 46 primarily Spanish-language radio stations that feature nationally recognized, Emmy award-winning talent. Shares of Entravision Class A Common Stock trade on the NYSE under ticker: EVC. Learn more about our offerings at entravision.com or connect with us on 
LinkedIn and Facebook.

View source version on 
businesswire.comhttps://www.businesswire.com/news/home/20220722005440/en/

Christopher T. Young
Chief Financial Officer
Entravision

310-447-3870

Kimberly Esterkin
Addo Investor Relations
310-829-5400

evc@addo.com

Source: Entravision


Digital, Media & Entertainment Industry – The Advertising Recession Is Here: How Bad Will It Be?

Monday, July 25, 2022

Digital, Media & Entertainment Industry
The Advertising Recession Is Here: How Bad Will It Be?

Michael Kupinski, DOR, Senior Research Analyst, Noble Capital Markets, Inc.

Patrick McCann, Associate Analyst, Noble Capital Markets, Inc.

Refer to end of report for Analyst Certification & Disclosures

Overview: How Bad Will It Be?  We believe that the second quarter will reflect softening in advertising, particularly in National advertising, while Local appears to be holding up. Overall, advertising is expected to be down for the first time since Feb. 2021. Notably, the softness is largely adversely affecting traditional mediums, while Digital appears to still be growing. So, now that we are in the ad recession, what should investors do?

Digital Media: Picking winners and losersThe Digital Media stocks have been rocked down a significant 44.7% over the past year, underperforming the general market. This is in spite of the fact that digital advertising is still robust. We highlight a recent addition to our coverage list with a company that is expected to exceed expectations in the upcoming quarter. 

Television: Will It Fare Better This Time? We believe that investors shunned highly leveraged broadcasters, but have overlooked favorable fundamental attributes. In particular, E.W. Scripps should benefit from outsized Political advertising and the significant growth of Retransmission revenue in 2023. Furthermore, for the industry, economically sensitive advertising is much less of total revenues than in past cycles. 

Esports: What Will The Industry Look Like? Once the darlings of Wall Street, the industry has taken a meaningful turn as investors shun developmental companies. The esports sector is in survival mode, shuttering money losing operations and/or selling off assets. We look at some potential winners for speculative investors. 

Radio: All Is Not Lost. We believe that investors have not differentiated between the winners and the losers in the Radio space, throwing all of the stocks out. The Radio stocks are down on average 51% in the latest quarter and 63% for the trailing 12 months. The most recent weakness was fueled by a Wall Street ratings downgrade. But, what about small market radio? Radio companies with large, diversified digital media businesses? We look at compelling values in this out of favor space. 

Overview

How Bad Will It Be?

The advertising recession may already be here. Based on Standard Media Index’s U.S. Ad Market Tracker (Ad Tracker), the U.S. advertising market contracted 3% in June, illustrated by Figure #1 Ad Trends. This was the first decline in the Index since February 2021. Notably, the contraction in advertising was felt by traditional media, which declined 16.6%, while Digital Media increased 8.6% in June. A bifurcated market? The advertising decline was among the U.S. largest, top 10 advertisers. Ad Tracker indicated that the other categories expanded a modest 1.2% in June. What does the data tell us? For one, economically sensitive National advertisers are anticipating a general economic downturn given a rising interest rate environment. National advertising was very weak, down in excess of 20% for most traditional mediums. In our view, advertising weakness will disproportionately be felt in the major U.S. markets where the economy is largely impacted. It is possible that local advertising may still growing, albeit modestly and more likely in smaller markets. Traditional mediums with a large digital component likely will perform better, if not well, compared with industry peers. We believe that advertising pacings in July are likely to be similar to that of the weak advertising environment in June, driven by continued weak National advertising. 

The media stocks seem to have already anticipated the somber news. Media stocks as a group over the past 12 months are down 30% to 40%, significantly under performing the general market decline of 20.4% as measured by the S&P 500 Index in the comparable time frame. While Digital fundamentals appear more favorable, the digital stocks did not fare well. The average Digital Media stock, which includes Digital Ad Tech, is down 35% over the past 12 months. 

Are the stocks oversold? We think so. In our view, while second quarter results may miss expectations, given the softness in advertising in June, we believe that the results may be better than most investors fear. Most companies guided toward a softer second quarter from the first quarter. As such, most investors expected moderation in revenue in the quarter. With the 30% to 40% decline in stocks over the past year, we believe that investors have factored in a severe economic downturn. The second quarter advertising environment does not appear to reflect that type of situation. While the third quarter is likely to start off weak, a follow through from June into July and August, we believe that advertising should improve in August. Media fundamentals in the second half of the year should be buoyed by the influx of Political advertising, which has already begun in some markets. In addition, Digital advertising appears to be doing well. And, to some degree, advertisers may be pushing budgets toward the important Holiday season. Macro economic trends may even force advertisers to advertise more heavily into back to school and the important Holiday seasons. In addition, the Fed typically is not as aggressive in raising rates in advance of elections. It is possible that the Fed will read the recent economic weakness as a signal to be less aggressive on rate increases. Such a move would buoy the general stock market, in our view. Consequently, there may even be an improvement in advertising toward the end of the third quarter and into the fourth quarter. This scenario would suggest that there could be a tradeable bounce in media stocks.  

What should investors do? In our view, media investors should take an accumulation approach. Historically, the best time to buy media stocks has been in the midst of an economic downturn. The mid-point of that downturn is difficult to predict. As such, investors should be selective and take an accumulation approach. We encourage investors to focus on companies that have large digital segments, have diversified revenue streams that are not advertising sensitive, and on companies that have the financial capability to weather an economic downturn. Some of our favorites include: Entravision (EVC), E.W. Scripps (SSP), and Townsquare Media (TSQ). Additional companies are highlighted later in this report.   

Figure #1 US Ad Trends


Figure #2 Traditional Media Stock Performance (Trailing 12 Months)


Source: Capital IQ

Internet & Digital Media

Will There Be Relief?

Last quarter we wrote that despite performing well overall in 2021, Internet and Digital Media stocks performed poorly in the fourth quarter of 2021 and again in the first quarter of 2022. Unfortunately, that trend continued in the second quarter of 2022 as well. As such, it was the third consecutive quarter of declines for Internet & Digital Media stocks. None of Noble’s Internet and Digital Media Indices outperformed the broader market, which we define as the S&P 500. As illustrated in Figure #3 Internet & Digital Media stock performance, the S&P 500 Index decreased by 16% in 2Q 2022, which was better than Noble’s Digital Media Index (-24%), MarTech Index (-28%), Esports & iGaming Index (-29%), Social Media Index (-30%), and AdTech Index (-39%). 

Figure #3 Internet & Digital Media Stock Performance

Source: Capital IQ

The theme from last quarter was that high flying stocks got “their wings clippedâ€?, in which we noted that the tech stocks with the highest multiples were the worst performers in the sector.  What’s interesting to note this quarter is that not even the FAANG stocks were immune to this trend in 2Q 2022. Last quarter, only two of the FAANG stocks posted double digit declines. This quarter, all of them did: Google (GOOGL) was down 22%, Apple (AAPL) was down 22%, Facebook was down 27%, Amazon was down 35%, and Netflix was down 53%. 

It is not surprising that AdTech stocks were the worst performers in 2Q 2022. Advertising spend is a discretionary expenditure and with the backdrop of macro headwinds that include inflation, rising interest rates, war in Ukraine and supply chain issues, investors decided to shoot first and ask questions later. We believe advertising held up well in the months of April and May, but began to see a slowdown, particularly in national advertising, in June, as mentioned earlier in this report.

Nevertheless, recent data suggests that online ad spending growth has slowed, which was confirmed by SNAP’s second quarter earnings call in which they noted that company’s revenue growth decreased from 38% in 1Q to 13% in 2Q. More concerning was that the company’s 3Q revenues are pacing flat with a year ago. Twitter’s (TWTR) 2Q results seem to have confirmed the ad spend slowdown. Twitter’s 16% revenue growth in 1Q slowed to -1% in 2Q.  Twitter’s press release also noted the impact that a stronger dollar had on its revenue growth.  A stronger dollar shaved 400 bps off Twitter’s 2Q revenue growth. 

Perhaps more concerning for Snap and Twitter was that expense growth significantly exceeded revenue growth. Snap’s operating expenses increased by 27% resulting in a 94% decrease in adjusted EBITDA (to $7M from $117M in 2Q 2021) as margins fell from 12% in 2Q 2021 to 1% in 2Q 2022. Twitter’s results were little better: expenses increased by 26%, resulting in an adjusted EBITDA decrease of 68% (to $112M from $343M in 2Q 2021) as margins fell to 10% from 29% in 2Q 2021.  

We expect more companies to report moderating revenue growth and those that rein in expense growth ought to outperform those that face significant margin compression. 

AdTech

Finding Gems In The Rubble

The Ad Tech segment was the worse performing in the Internet and Digital Media space in the latest quarter and for the full year down 37.2% and down 50.9%, respectively. We believe that the poor performance reflected the overall downward trend for National advertising, decreasing industry margins, and lack of investor interest in developmental ad tech companies that have negative cash flow. In addition, we believe that investors are waiting until the dust settles on Googles privacy policy and the expectation of limitations on that company’s use of cookies in 2023. We find value in this sector, however, with a recent initiation on the shares of Direct Digital (DRCT). While this is a developmental company, as well, it has positive cash flow and a flexible balance sheet. In our view, the company is expected to report positive upside in Q2 revenue and cash flow, likely to beat consensus estimates. Finally, its stock valuation appears compelling, trading at a substantial discount to its peers as highlighted in Figure #4 Ad Tech Comparables. In our view, Direct Digital appears to be a gem in the rubble of the Ad Tech stocks. 

Figure #4 Ad Tech Comparables

Source: Eikon and Noble estimates

Marketing Tech

Finally Getting The Valuation It Deserved

The Marketing Tech stocks declined 25.6% in the second quarter, underperforming the general market. But, there was a bright spot. The shares of Harte Hanks increased a significant 68% in the latest quarter. We believe that investors are just now catching up to the transformation at the company. Just 2 years earlier, the company was not generating positive cash flow, had significant amount of debt and unfunded pension liabilities. In the first quarter, the company exceeded expectations, delivering 12.1% revenue growth and an 114% increase in adj. EBITDA. In addition, the company completely changed its financial profile from just a few short years earlier, posting $9.7 million in cash and with a modest $5 million in debt. As we mentioned in our previous reports on the company, its unfunded pension liabilities benefit from a rising interest rate environment. As Figure #5 Marketing Tech Comparables chart illustrates, in spite of the latest move, we believe that there is still headroom for the shares given that the shares still trade below industry peers.  

Figure #5  Marketing Tech Comparables


Source: Eikon and Noble estimates

Digital Media

Have We Seen Bottom?

Digital Media stocks declined 27.7% in the latest quarter. While virtually all of the stocks in the index were down, one of our closely followed stocks declined a modest 7.6% in the quarter, Travelzoo. But, the relative performance in the quarter masks a poor performance over the past 12 months. The shares are down 52% over the past 12 months from the height of enthusiasm for a recovery in the travel and leisure industry post Covid. While travel restrictions have been lifted, investors are now concerned over the prospect of what a weak global economy may do to the travel industry. Typically, inflation and consumer travel budget concerns would benefit the company as consumers would then seek deals for vacation/leisure travel. Is it possible that the stock has bottomed out? We believe that there appears to be limited downside risk for the shares near current levels, providing a favorable risk/reward relationship. As such, the TZOO shares are among our favorite Digital Media stocks.

Esports & iGaming 

What Will The Industry Look Like? 

Once the darlings of Wall Street the industry has taken a meaningful turn as investors shun developmental industries, like Esports. Many companies in this sector are in survival mode, shuttering money losing operations, seeking alternative financing options, and/or selling off assets. Companies that we follow in that category include Esports Entertainment, Engine Media and Motorsport Games. Figure #6 Esports & iGaming Comparables highlight the industry. In the case of Esports Entertainment, the shares are down 92% over the past year. Motorsport Games is down 95%. And, Engine Media is down 81% in the comparable time frame. Notably, each of those companies has a potential path to survive and create value to shareholders. In the case of Esports, there are assets that the company could sell, which generate cash flow. The risk is that it may not be able to sell them for what the company paid for them. Engine Media seems to be on a more favorable path at this point. The company quickly sold off assets and shuttered money losing businesses. As such, the company appears to have a pathway toward cash flow break even, expected by the third quarter. We view the GAME shares as a high risk/high reward prospect. Motorsport Games appears to us to be the most intriguing speculative investment. In our view, the company has multiple pathways to create value. It could time its game releases to generate positive cash flow, which it can then use to invest in launching additional games. In addition, it could seek financing from its parent company to fund its game development through launch. As such, Motorsport is among our favored speculative investment in the space.  Finally, we recommend the shares of Codere Online Luxembourg in the iGaming space. The company has cash to develop its iGaming business in developing countries. It could back off of the development should market conditions change. As such, we believe that the company will survive and possibly become a leader in its respective markets as companies with less financial flexibility exit markets.     

Figure #6 Esports & iGaming Comparables


Source: Eikon and Noble estimates


Television

Will Television Fare Better This Time?

Figure #7 Broadcast Q2 Stock Performance illustrates that the TV stocks dropped 22.6% in Q2, in what was a reversal from Q1 when the industry climbed a solid 10%. It appears the broad economic implications of prolonged supply chain disruptions, rising inflation, and concerns over an economic downturn in a rising interest rate environment curbed investors’ appetite. Larger cap stocks, such as Nexstar (NXST) performed better, down 13.6%, while the shares of E.W. Scripps (SSP) underperformed, down 40.0%, in the latest quarter. It is not surprising that the stocks are underperforming, but the level of decline is notable. It is typical that advertising driven media stocks underperform in a rising interest rate environment due to the adverse impact on economically sensitive advertising. But, television has diversified revenue streams, with Retransmission revenue accounting for a large portion of revenue. We believe that investors have not differentiated among the TV stocks. In the case of E.W. Scripps, the company is expected to benefit from strong Political advertising in the second half of this year. In addition, 75% of its subscribers in 2023 come up for renewal. Some of those subscribers are at very low rates. Based on our estimates, roughly 2.5 million Comcast subscribers are at $2.20 per sub. Based on current market prices, we believe that rates will rise nicely above $3.00 per sub. We believe that the high margin Political advertising and the lift from Retrans next year will allow the company to pare down debt leverage, which appears to be a key concern for investors. As such, we believe that the SSP shares are among our favorites. Figure #8 Broadcast TV Comparables highlight the current stock values in the industry. 

But, one stock stands out to us, Entravision. This company has completely transformed from a traditional broadcast company to a Digital Media powerhouse. Digital now represents roughly 80% of total company revenues. While it is lower margin business, it is rapidly growing. The company represents Facebook, Spotify and TikTok is some of the fastest growing markets. Notably, the company recently announced that it has expanded its relationship with Meta to be the Facebook rep in Honduras and El Salvador, now representing 11 countries in Latin America. We believe that the company will report better than consensus estimates for the second quarter and recently raised our full year 2022 adj. EBITDA expectations. With the shares trading slightly above 4 times cash flow, we believe that there is limited downside risk and a favorable risk/reward relationship. The EVC shares lead among our favorite media stocks, or, should we say, Digital Media stocks. Notably, we will be putting Entravision into our Internet & Digital Media valuations going forward. 

Figure #7 Broadcast Q2 Stock Performance

Source: Capital IQ

Figure #8 Broadcast TV Comparables

Source: Eikon and Noble estimates

Radio

All Is Not Lost.

Similar to the TV industry, radio stocks reversed course in Q2, falling 34.2% after modest 1.8% gains in Q1. While all media stocks struggled in the latest quarter, none have performed more poorly than the Radio sector. Noble’s Radio index is down a surprising 63% over the past 12 months as highlighted in Figure #9 Broadcast LTM Stock Performance. This market cap weighted index reflected the performance of the largest cap companies, including Audacy and iHeart Media, which are down 81% and 69%, respectively. Much of the pain in those stocks was delivered in the latest quarter, with Audacy down 67% and iHeart down 58%. Both of those stocks were adversely affected by a downgrade by a Wall Street firm, given the unfavorable outlook for National advertising, relatively high debt leverage, heading into a possible economic downturn. As investors shunned Radio stocks, they did not appear to differentiate among the players in the industry. Outside of Audacy and iHeart Media, the rest of the Radio stocks did not fare well either. the rest of the radio stocks were in the range of down 22% (Cumulus Media) to down 27% (Beasley Broadcast) on the low end to down 36% (Townsquare Media) and down 37% (Salem Media) on the high end.  

Investors should take note. Townsquare Media is largely a digital media company, with 51% of its revenues derived from its fast growing Digital Media businesses. The company demonstrated that this business is largely recession resistant, growing revenues through the depths of the Covid pandemic. In addition, the company operates in small market Radio, which tends not to suffer from the vagaries of the economic cycle. Salem Media is somewhat similar in that it has a diversified revenue stream as well. In addition, over 30% of its Radio business is from a very stable block programming business. Finally, Beasley Broadcasting has recently bolstered its Digital development with an acquisition that allows the company to scale its Digital business. Management recently indicated that it plans for Digital to account for 40% of its total company revenues in a short 2 years. Bottom line, we believe that there are compelling stories in the Radio sector that are unique and offer attractive appreciation potential.  Figure #10 Radio Comparables highlight the recession type valuations that many of the stocks currently trade. 

Figure #9 Broadcast LTM Stock Performance

Source: Capital IQ

Figure #10  Radio Comparables

Source: Eikon and Noble estimates


For more information on companies mentioned in this report, including important disclosures, click on the following:

Beasley Broadcasting Group

Codere Online Luxemburg

Cumulus Media

Direct Digital Holdings

Engine Gaming & Media

Entravision

Esports Entertainment

E.W. Scripps

Gray Television

Harte-Hanks

Lee Enterprises

Motorsport Games

Salem Media Group

Townsquare Media



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ANALYST CREDENTIALS, PROFESSIONAL DESIGNATIONS, AND EXPERIENCE

Director of Research. Senior Equity Analyst specializing in Media & Entertainment. 34 years of experience as an analyst. Member of the National Cable Television Society Foundation and the National Association of Broadcasters. BS in Management Science, Computer Science Certificate and MBA specializing in Finance from St. Louis University.

Named WSJ ‘Best on the Street’ Analyst six times.

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NOBLE RATINGS DEFINITIONS % OF SECURITIES COVERED % IB CLIENTS
Outperform: potential return is >15% above the current price 94% 32%
Market Perform: potential return is -15% to 15% of the current price 7% 4%
Underperform: potential return is >15% below the current price 0% 0%

NOTE: On August 20, 2018, Noble Capital Markets, Inc. changed the terminology of its ratings (as shown above) from “Buy” to “Outperform”, from “Hold” to “Market Perform” and from “Sell” to “Underperform.” The percentage relationships, as compared to current price (definitions), have remained the same.

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Report ID: 24375